Death As A Limitation To Human Existence In The Poems "The Pulley" ByGeorge Herbert And "Crossing The Bar" By Alfred Tennyson

Examine death as a limitation to human existence in the poem "Crossing The Bar" by Alfred Tennyson and "The Pulley" by George Herbert.

The Pulley is a poem about God and the making of man. God made man and granted him everything needed for his living the earth including pleasure but used death as a deadline to his existence.

Crossing The Bar is a poem about the warning as regards the reactions of the loved ones when the poet in question, finally embark on the journey from earth to heaven; through the vessel of death to be with God.

In both poems, God and death are present; and death was shown to messenger of God, the Supreme.
In the poem Crossing The Bar, "the bar" symbolized death while the whole of stanza 1 of The Pulley revealed the mortality in man since placing all riche
s in man is a means of contracting them to a span because man will grow old and die.

The crystal clear difference between the view of both poets shows that while The Pulley was making claim that God created death to put end to man, Crossing The Bar was revealing through which death leads man to God.

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Samuel C. Enunwa aka samueldpoetry
(the Leo with wings flying)

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What Are The Theme In The Anvil And The Hammer By Kofi Awoonor

This post tends to point at few themes in the Kofi Awoonor's "The Anvil And The Hammer"; in order to get larger discussion about the poem [check complete analysis of the anvil and the hammer by kofi awoonor]

"Caught between the anvil and the hammer
In the forging house of a new life,
Transforming the pangs that delivered me
Into the joy of new songs
The trapping of the past, tender and tenuous
Woven with fibre of sisal and
Washed in the blood of the goat in the fetish hut
Are laced with the flimsy glories of paved streets
The jargon of a new dialectic comes with the
Charisma of the perpetual search on the outlaw’s ..." is a two stanza poem with a political setting.

Simple languages and imageries of the poem help the symbolisms embedded within. The candid tone of the poem speaker proved a feeling of triumph.

Let's take this moment to enjoy the Theme of Cultural Contrast (which can also be called Clash of
Culture or Cultural Disparity or Conflict of Culture or any other name used to refer to the mixture of two different lifestyles). Like the poem "Piano And Drums" by Gabriel Okara, the persona in the poem "The Anvil and The Hammer" by Kofi Awoonor experienced two different ways of life (the African and the Western) which he puts thus in line 1-2:
"Caught between the anvil and the hammer
In the forging house of a new life"

The impact or implication of the contrast led to the poem's title "The Anvil And The Hammer" because they are instrument for creation. With the use of symbolism, where the words "anvil" and "hammer" are made to symbolize both African believe system and Non-African believe system, the voice in the poem shows that the contrasting cultures have reshaped or remolded him; it is not a surprise that the line 3 begins with the word "transforming".

The poem also has the Theme of Cultural Colonization. The act of colonization in Africa went beyond commercial exploitation; if silently examined, such act has an everlasting effect on Africa and Africans in general. Even long after colonization the culture of the colonial masters remains indelible in Africa and can never be wiped since it has been sown a "new garment" called civilization. The poem speaker referred metaphorically to the embraced new culture in line 2 as "a new life" and in line 9 "The jargon of a new dialectic". Because the poem speaker could not find a wayout of his cultural colonization, he resigned to the adoption of the past in present.

The theme of Adoption of Past In Present (rediscovery). In the poem "The Anvil And The Hammer" by Kofi Awoonor who died in the year 2013 at the age seventy eight, one can clearly see that the theme of the adoption of past in present revealed how undeniable the past was in the new life of the poem speaker to the extent he urged his ancestors in the opening line of stanza 2: "Sew the old days for us, our fathers/ That we can wear them under our new garment/ After we have washed ourselves in/ The whirlpools of many rivers' estuary".
The theme of Past in Present shows that Kofi Awoonor in this poem followed the opinion of Dennis Osadebay who in his poem titled "Young Africa's Plea" believed the merger of both cultures would make him a better man:
"Let me play with the white man's ways
Let me work with the black man's brains
Let my affairs themselves sort out
Then in sweet rebirth
I'll rise a better man"
(extracted from the poem "Young Africa's Plea" by Dennis Osadebay)

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Samuel C. Enunwa aka samueldpoetry
(the Leo in the sky high)

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How Can You Explain Nostalgia In Birches By Robert Frost

Nostalgic feeling partially surfaced in the poem Birches by Robert Frost in line 23 to 24, "I should prefer to have some boy bend them/ As he went out and in to fetch the cows_"
partially making reference to the nature of his own background as a rural boy who played alone swinging the birch trees remembering how the pleasure used to be "riding them down over and over again/ Until he took the stiffness out
of them/ And not one but hung limp, not one was left/ For him to conquer."( line 29-32)

The full nostalgia began from line 41-44: "So was I once myself a swinger of birches/ And so I dream of going back to be/ It's when I'm weary of considerations/ And life is too much like a pathless wood" because of the burdens and boredom and monotony in adulthood and aging excluding the act of love he enjoyed.

The poem speaker further explained how swinging birches will balance his leaving the earth and returning compared to his leaving the earth after he must have died and wont be opportuned to return.

The poem maintained the theme of balancing, the theme of natural effect versus artificial effect, the theme of irreversibility, etc.

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Samuel C. Enunwa aka samueldpoetry
(the winged Leo in the sky soaring

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